Pink Floyd 1975-04-26 Los Angeles Millard recording Cass(1) to DAT(4) (16bit/48kHz) Neonknight, January 2016 (Yeeshkull!) EX...Los Angeles Memorial Sports Arena, Los Angeles, California, USA - 26 April 1975.Animação: extraordinária produção brasileira, super premiada, vale muito a pena conferir -- 'Ed' by hypecg (https://www.youtube.com/watch?v=JkQt1Vvx_cs) CGI 3D AWARD WINNING Animated ShortThe 1975 "You Gotta Be Crazy" lyrics differed from 1974 and would be basic lyrics for much of Dogs:You gotta be crazy,you gotta be real meanIs your mind rightAre your kids brightDo you keep your car cleanYou know you must keep moving on, keep yourself fitYou gotta keep on smiling, taking all this s**tMust have been hard for no oneNeed to be a big shotMust have had a tough timeGot to be the top man at the topThe need to be trustedHave to tell liesLearn to look heartless as you narrow your eyesYou gotta keep one eye looking over your shoulderGonna get harder and harder and harder as you get olderPack up, get up and fly south and hide in the sandYour going to be an old man that you're gonna get cancerAnd when you loose controlYou'll reap the harvest you have sownAnd as the fear growsThe bad blood slows and turns to stoneAnd it's too late to loose the weightYou used to need to throw aroundSo have a good drownAs you go downAll AloneDragged down by the stoneGotta admit that I'm a little bit confusedSomething keeps telling me that I'm being usedGotta stay awake and try to shake off this creeping malaiseGotta fly down, down to my home ground, somewhere outside of this mazeYou, you're early tooBut you just keep on pretendingThat Everyone's the same as youAnd no one has a real friend"You Gotta Be Crazy" was modified by 1975 with a key change from E to D (which is what Dogs would be in), Gilmour singing the lyrics differently. - Terrence J. ReardonNotes (Neonknight):This copy of Mike Millard's legendary recording came to me from a Japanese trading partner on a pair of Maxell DM120 DAT tapes in 2003.My contact said it was from the master but I understand that Millard's cassettes for this date were never transferred to digital. I believe an "off master" description was given to the recording at some point leading to some confusion about the lineage. For some traders this meant a direct digital copy from the master and for others it was a way of describing the first step being a 1st gen analogue tape.Quite a lot has been written about Mike Millard's methods. For those who are not aware he used a wheelchair for a recording prop and taped with a Nakamichi stereo cassette recorder and AKG microphones. Millard used Dolby B and played back with it off to boost the high end and this increased the hiss on many of his masters. 1st generation copies were often marked to see who traded each version of the master.This is a raw transfer of my DAT. There are tape flips in Any Colour You Like and Have A Cigar.Neonknight, January 2016Por trás desta excelente gravação, existe um personagem que viria a se tornar uma lenda.entre os aficionados em bootlegs, Mike Millard.A aventura de Mike Millard em seu breve relato, começa ao estacionar seu velho carro no Los Angeles Memorial Sports Arena,(que imagino quantas histórias incríveis levou consigo), que disposto a qualquer coisa para obter a melhor gravação, assume o papel de um deficiente físico visando esconder seu equipamento, na época nada compacto, mas o melhor gravador e microfones disponíveis, numa cadeira de rodas e ainda pôde se posicionar bem na frente da banda...O resultado entrou para a história, a fita é festejada a cada nova audição, como talvez a melhor gravação de 1975 ao vivo do Pink Floyd. Uma captura mágica. Pensar que sem ele não poderíamos desfrutar desta interpretação maravilhosa do Pink Floyd hoje em dia... Meus mais sinceros agradecimentos à Mike Millard :))E a todos os amigos que assistem, obrigado por curtir :)