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Полная версияCarol of the Bells (for 12 cellos) - ThePianoGuys
To purchase this song and (or) our album "WONDERS" click HERE: https://thepianoguys.com/shop/musicDEUTSCHLAND FANS klicken Sie hier, um Videos anzuschauen: http://smarturl.it/tpg_DE________________________We're on Tour! http://smarturl.it/tpgtourBuy Sheet Music: http://smarturl.it/Sheet_MusicNew Christmas Album here: http://smarturl.it/NewAlbumBuy song here: http://smarturl.it/carolbells________________________Subscribe to our main channel: http://smarturl.it/TPGsubscribe1Subscribe to our BTS channel: http://smarturl.it/TPGsubscribe2Follow us on Facebook: http://www.facebook.com/PianoGuysFollow us on Twitter: http://www.twitter.com/PianoGuys________________________"I love these two carols (Carol of the Bells/God Rest Ye Merry Gentlemen) - they were made for each other -- they both capture the excitement of the Christmas Season. I have three children that just get giddy during December -- excited each morning as they get closer and closer to Christmas Day. That excitement is so contagious. I love it. It's the kind of energy and eagerness that keeps you up at night. I wanted to capture that joy and anticipation in this arrangement.People have told me that this reminds them of the Pirates of the Caribbean. Maybe one year the Pirates franchise will make a Christmas special and THIS could be the theme song! Instead of Carol of the Bells it could be titled 'Jack Sparrow of the Bells.' =)"-Steven Sharp NelsonCarol of the Bells attributed to Mykola Dmytrovych LeontovychGod Rest Ye Merry Gentlemen: Traditional English CarolArrangement written and produced by Steven Sharp Nelson & Al van der BeekRecorded, mixed & mastered by Al van der Beek at TPG StudiosFeatured on the album "Christmas Cello"Video Producer Paul AndersonCinematographer/Editor Tel StewartFor my fellow music geeks =) my favorite part of writing this arrangement is the obligatory hemiola due to the meter difference between the two songs -- one is 3/4 and the other 4/4. I hope you like the way they collide. My second favorite part is the intense canon at the end that creates a cluster-chord feel and dissonant coda finally resolving with the main theme of BOTH tunes.Shooting locations:Downtown Salt Lake City, UtahLittle Cottonwood Canyon (Utah)Big Cottonwood Canyon (Utah)Ice Rink at the Gallivan Center (Salt Lake City, Utah)Special thanks to the Security guard at the Gallivan Center for not kicking us off location. And to the random guy(W.D. Johnson), who came along and offered his snow shoe so the cello wouldn't sink into the snow.