I. ORGANETTO (Medieval portative organ)Anonymous (14th century, Spain): Improvisation, from LLIBRE VERMELLII. 15TH-16TH CENTURY POSITIVE ORGANGilles Binchois, a.k.a.Gilles de Binche [or Bins] (c. 1400-60): Je ne fais tousjours que penserIII. 16TH CENTURY POSITIVE ORGAN (with voice)Francisco Guerrero (1528-99): Deposuit potentesIV. 16TH CENTURY GREAT IBERIAN POSITIVE ORGANFrancisco Hernández Palero (16th cent.): Un verso de Morales glosadoV. 17TH CENTURY CHAMBER ORGANFrom TABULATURA PELPLINSKA (1620)Andrzej Rohaczewski (17th cent.): Canzon a 4VI. CLAVICHORDKonrad Paumann (c. 1410-1473): Mit ganczen Willen wunsch ich dirVII. VIRGINALFrom 10 PIECES FOR THE VIRGINALS OR ORGAN (c. 1520)Anonymous (16th cent. England): My Lady Carey's Dompe (Royal, App. 58)VIII. 16TH CENTURY ITALIAN HARPSICHORD (copy)Anonymous (16th cent. Italy): La Forze d'HercoleVIII. 16TH CENTURY ITALIAN HARPSICHORD (original)William Byrd (d. 1623): Praeludium (MB 115) and Alman (MB 117), from FITZWILLIAM VIRGINAL BOOKIX. 17TH CENTURY FLEMISH HARPSICHORDI) Anonymous (17th cent. England): Scarborough Fair (with recorder)II) William Byrd (d. 1623): Rowland [or Lord Willoughby's Welcome home] (MB 7) from FITZWILLIAM VIRGINAL BOOK